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(1 - 24 of 24)

: The art of erasure

: Building the sacred: A study of proper names of monuments and structures in Classic Maya inscriptions

: Colonial objects, colonial subjects: Cultural strategies of viceregal Peru's noble Incas, circa 1675--1825

: e(femme)era: Materialized identity-making in South Texas-based feminist zines

: Feminist vision: Visual art, the act of writing, and the female body in the novels of Clarice Lispector, Lya Luft, and Diamela Eltit

: The format of the preHispanic Mixtec historical screenfold manuscripts

: The history and preservation of the synagogues of the Atlantic World, 1636--1822

: Icons of empire: The art and history of Aztec royal presentation

: The life and work of Caroline Spelman Wogan Durieux (1896-1989)

: Living with death between the volcanoes: Nahua approaches to mortality in colonial Puebla's Upper Atoyac Basin

: Looking (again) at German landscape painting: Appropriations and adaptations as vehicles for social critique, 1969--1989

: Masculinity, blood, and the painted blush

: Mexico's crowned virgins: Visual strategies and colonial discourse in New Spain's portraits of "crowned nuns"

: The mobile image

: Money as muse: The origin and development of the modern art market in Victorian England. A process of commodification

: Morris Henry Hobbs: Printmaker, 1892-1967

: The mortuary architecture of Jacques Nicolas Bussiere de Pouilly

: The Natchitoches Art Colony: A southern en plein air art colony, 1921-1937

: "Nuestro joven" San Felipe de Jesus: A new look at the martyr murals in Cuernavaca Cathedral, Morelos, Mexico

: Power, politics, and persuasion: The painted histories of the Tira de Tepechpan

: Saints, sovereignty and spectacle in colonial Mexico

: The structure and periodization of the Olmec representational system

: The visual discourse of ninth-century stelae at Machaquila and Seibal

: The yahui: Form and function