Jump to navigation
Search results
-
-
The art of erasure
-
-
Building the sacred: A study of proper names of monuments and structures in Classic Maya inscriptions
-
-
Colonial objects, colonial subjects: Cultural strategies of viceregal Peru's noble Incas, circa 1675--1825
-
-
e(femme)era: Materialized identity-making in South Texas-based feminist zines
-
-
Feminist vision: Visual art, the act of writing, and the female body in the novels of Clarice Lispector, Lya Luft, and Diamela Eltit
-
-
The format of the preHispanic Mixtec historical screenfold manuscripts
-
-
The history and preservation of the synagogues of the Atlantic World, 1636--1822
-
-
Icons of empire: The art and history of Aztec royal presentation
-
-
The life and work of Caroline Spelman Wogan Durieux (1896-1989)
-
-
Living with death between the volcanoes: Nahua approaches to mortality in colonial Puebla's Upper Atoyac Basin
-
-
Looking (again) at German landscape painting: Appropriations and adaptations as vehicles for social critique, 1969--1989
-
-
Masculinity, blood, and the painted blush
-
-
Mexico's crowned virgins: Visual strategies and colonial discourse in New Spain's portraits of "crowned nuns"
-
-
The mobile image
-
-
Money as muse: The origin and development of the modern art market in Victorian England. A process of commodification
-
-
Morris Henry Hobbs: Printmaker, 1892-1967
-
-
The mortuary architecture of Jacques Nicolas Bussiere de Pouilly
-
-
The Natchitoches Art Colony: A southern en plein air art colony, 1921-1937
-
-
"Nuestro joven" San Felipe de Jesus: A new look at the martyr murals in Cuernavaca Cathedral, Morelos, Mexico
-
-
Power, politics, and persuasion: The painted histories of the Tira de Tepechpan
-
-
Saints, sovereignty and spectacle in colonial Mexico
-
-
The structure and periodization of the Olmec representational system
-
-
The visual discourse of ninth-century stelae at Machaquila and Seibal
-
-
The yahui: Form and function