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Acquiring Little Mexico: William Spratling's Object Collection Practices and the U.S. Collection of Mexican Objects, 1926 to 1940

After

Alexander the Great: Created in whose image? a study in the byzantinization of ΜΕΓΑΣ ΑΛΕΞΑΝΔΡΟΣ in Venice Hellenic Institute Codex Graecus 5

Altered Perceptions

At the hands of persons unknown

Automated Anxieties: The Technological Gothic

Awkward Angles

Before the Revolt. Restless Materiality

Breaching Taboos: Gustav Klimt's Depictions of Pregnancy

Building a New American Art Culture: the Promise and Ambition of John Gadsby Chapman

Cutting Time: A Temporal Reading of Wangechi Mutu's Collaged Bodies

De/Face: Performance and Painting in Chicanx Public Art

Degas's Pregnant Woman: Vision And Touch

Dreaming Lines Awake

Elsewhere, Within Here

Excavating Contemporary Beauty: Citations of Ancient Greek Art in the Works of Fred Wilson, Yves Klein, and Jeff Koons

Figuring Female Corporeality: The Body in the Early Work of Niki de Saint Phalle

Form Minus Function

Giovanni di Paolo's Pizzicaiuoli Altarpiece: Saint Catherine of Siena as the preeminent female Dominican saint

Grace Hartigan and Frank O'Hara: Partnership, Painting, and Camp in the New York School

Heavenly Perspectives: Imagining Celestial Space in Giovanni di Paolo's Paradiso Miniatures

If You Go Down The Hall

KNEEL

Made In China: Chinese Export Art And Its European Reception In The Seventeenth Century