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Domesticity and the Victorian Gothic short story: "Flesh and blood is not made for such encounters"
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"Drauma" and "Newseryreel": Joyce's dramatic aesthetic in adaptation
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Eating English: Food and the construction and consumption of imperial national identity in the British novel
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Economics and apocalypticism: Radical nostalgia in the age of "Piers Plowman"
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Effeminacy, masculinity, and homosocial bonds: The Victorian construction of John Keats
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English inns and taverns: their structural and thematic function in Fielding's novels
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Epochs of impossibility: A Marxian theory of dramatic parody and burlesque
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The false optic: Poisoned fictional objects in Renaissance revenge tragedies
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Family relationships in Coleridge's poetry
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Figures in the carpet: Unitarianism, Henry James, Sr., and Henry James's "The Portrait of a Lady"
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The fire and the rose: The deconstruction of T. S. Eliot
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The first fortune: the plays and the playhouse (drama)
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Freud and Spenser: a dream poetic: an isomorphic comparison of Freud's "The Interpretation of Dreams" and Spenser's "The Faerie Queene" emphasizing books ii and vi (psychoanalysis, hermeneutics, aesthetics)
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Gender and rationality: Detection and late-Victorian domesticity
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The genealogy of the Chester Expositor
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Genres of truth: Vision and knowledge in nineteenth-century ghost and detective fiction
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Her best self did not escape: Rape and the crisis of identity in the early English novel
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Heroic martyrdom in Milton's "Samson Agonistes"
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History and the form of the dream vision: Shelley's poetic confrontations with material reality
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Imagining Auschwitz: Postmodern representations of the Holocaust
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The influence of Thomas Carlyle's writings on Alfred Tennyson's concept of the hero in "Idylls of the King."
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John Fletcher's "A Wife for a Moneth": a critical, old-spelling edition
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The killing letter, or, The presence of the "Kells" manuscript in "Finnegans Wake"
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Lacan's mirror and beyond: Dante, Spenser, and Milton ("La Divina commedia," "The Faerie Queene," "Paradise Lost," psychoanalysis)
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