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: A history of professional stage theatricals in Peoria, Illinois before the Civil War

: A history of the Cleveland Play House, 1936--1958

: A history of the Dallas Little Theatre, 1920-1943

: A history of the international theatre institute

: A history of the radical theatre in the United States from 1930 to 1970

: A history of the Tulane University Theatre, 1937-1967

: A history of Unto These Hills, 1941 to 1968

: Houston's Alley Theatre

: Illusion in modern american drama: a study of selected plays by Arthur Miller, Tennessee Williams, and Eugene O'Neill

: Irony as a structural device in selected plays of Eugene O'Neill

: John Howard Lawson as an activist playwright: 1923-1937

: Joseph Wood Krutch and the human image in modern American drama

: Laura Keene in America, 1852-1873

: Le "Printemps 71" d'Arthur Adamov: Une etude semiologique a travers ses didascalies spatiales et certaines reflexions sur ses modeles actantiels

: The Mackaye Spectatorium: a reconstruction and analysis of a theatrical spectacle planned for the world's Columbian exposition of 1893 with a history of the producing organizations

: Mas alla de la apariencia: El teatro de Pedro Salinas. [Spanish text]

: Mielziner and Williams: a concept of style

: Modern developments of the open stage theatre form as seen in the work of James Hull Miller

: Mrs. Alexander Drake: a biographical study

: Myth taken: Postmodern mythology reflects the media

: The negro image in representative American dramas

: Originality in the dramas of Alejandro Casona

: Pacifism in Greek and modern drama

: The problem of the intellectual's ethical dilemma as presented in four plays by Max Frisch

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