1970-Tulane Student Made Film (Video)

  • [film noise, scratches]
  • [beep]
  • - Tulane's okay.
  • It's a university.
  • - A university is an institution of higher learning.
  • Having a College of Liberal Arts
  • and a curriculum graduate studies together with
  • several professional schools and faculties such as law,
  • medicine, architecture, and engineering,
  • and authorized to confer degrees.
  • A university is an institution of higher learning.
  • Having a College of Liberal Arts and a curriculum
  • graduate studies together with several professional
  • schools and faculties such as law, medicine, architecture,
  • and engineering, and authorized to confer degrees.
  • - Tulane is an independent, nonsectarian university
  • that admits students without regard
  • to place of residence, race, religion, or national origin.
  • It is composed of 11 schools and colleges
  • and four research centers.
  • Its total full time enrollment is approximately 7000 students,
  • of whom 3600 are undergraduates.
  • The undergraduate divisions are the
  • College of Arts and Sciences, which admits only men.
  • Newcomb College which admits only women.
  • The School of Architecture and the School of Engineering,
  • both of whom admit men and women.
  • University College, while primarily
  • conducting evening courses for adults,
  • offers programs of medical technology
  • and physical education to which students
  • may be admitted directly from high school.
  • The graduate divisions of the university,
  • other schools of business administration, law, medicine,
  • public health and tropical medicine,
  • social work, and the graduate school.
  • - School of Engineering generally consists
  • of about 35 special areas of emphasis nationally.
  • But at Tulane, we tend to emphasize the fields
  • of civil, chemical, mechanical, and electrical engineering.
  • And its in these general fields
  • that about 80% of all engineers graduate.
  • But there's something new in engineering education that
  • we are participating in,
  • and we find very exciting and revolutionary, really.
  • And that is to-- the introduction
  • of the more flexible approach to engineering.
  • For one thing, we recognize that many engineers,
  • four or five years out of school,
  • no longer are identified as engineers.
  • That is they go into management,
  • or increasingly they top the basic engineering program
  • with additional professional work,
  • for example, in law and medicine.
  • And since it is a fact that this happens.
  • We think that the engineering basic training ought
  • to recognize that engineers do these diverse things.
  • So at Tulane, besides these departmental programs,
  • we have one extraordinarily flexible program,
  • which we just call the engineering curriculum.
  • And it's designed really around the liberal arts concept,
  • where a student has sufficient flexibility to emphasize
  • special coursework or special talents,
  • which he might have for his own very particular objectives.
  • We have a certain number of students, for example,
  • who are using engineering as a basic curriculum
  • when they know that they're going on
  • to medical school,
  • eventually to become either practitioners or researchers,
  • but who consider the engineering background,
  • as is increasingly the case I think, a general
  • academic background, not a highly specialized one.
  • Others are going into law.
  • Others are going into a combination
  • engineering and master's degree program
  • in business administration.
  • So I think what's new in engineering generally,
  • and possibly particularly so at Tulane,
  • is the much more flexible approach.
  • And our situation of being a small
  • technical school in a large liberal arts community
  • has strongly influenced our moves in this direction
  • and I think lets us do some things
  • which many engineering schools can't.
  • - Physics is a description of nature.
  • What marks it off for many other studies of nature
  • is the quantitative way in which
  • physical phenomena are described.
  • Usually the result of a calculation in physics
  • is a very precise relationship between physical quantities.
  • The result is that very complicated systems
  • are frequently not treated by physics.
  • For that reason, it's possible usually to distinguish between
  • physics and technology, where devices are developed
  • on the basis of physical principles.
  • The physics department at Tulane has been active
  • since about the time of the Civil War
  • and has offered a strong undergraduate program
  • for essentially all of that time.
  • It's only since the Second World War
  • that we've been involved in graduate research,
  • except for a few master's degrees.
  • Our current areas of interest
  • are in solid state physics
  • and nuclear physics.
  • Examples of the sorts of experiments
  • we do in nuclear physics are the scattering of neutrons
  • from elements and the observation
  • of the resulting gamma rays,
  • whose energies and intensities can be used
  • to determine the structure of the nuclei
  • which did the scattering.
  • We are currently involved in trying to make
  • some of our graduate studies more relevant
  • to environmental problems
  • such as pollution
  • and health physics problems.
  • [silence]
  • - When I think chemistry, I think basically fun.
  • We're all sort of little boys
  • playing in the laboratory who haven't quite grown up.
  • The fun we have, however, is really quite serious.
  • Some of the problems we're studying at Tulane
  • are, for example, why do silver iodide crystals
  • serve as nuclei for the formation of ice?
  • Understanding this problem may very well lead
  • to curing hurricanes, to preventing hurricanes.
  • Other very important questions which we ask ourselves are,
  • for example, why do living things live?
  • This is a question which is very complex,
  • but which is actually being studied
  • by various undergraduates and also graduate students
  • as well as faculty at Tulane.
  • My own research asks the question, How do we utilize
  • the food that we eat in order to convert this into energy?
  • All living systems have to do this.
  • They have to get energy from food.
  • Professor Alworth, in our department,
  • is trying to find out why certain bacteria in plants
  • are able to synthesize vitamin B12.
  • If humans don't get vitamin B12 in their food,
  • they get sick and they'll eventually die.
  • In the building just to the right of me,
  • which you may be able to see, is our computer laboratory.
  • This is used by Professor Cusacks
  • in our silver iodide study, as I just mentioned.
  • It's used in other fundamental studies trying to explain why
  • molecules have the geometry they do.
  • Other members of our chemistry faculty
  • study synthesis and general synthesis of phosphorus
  • compounds, for example, many carbon compounds.
  • Trying to understand in general just exactly why chemistry
  • functions as it does.
  • Why chemical compounds can be made.
  • Problems involving life and chemistry in general
  • changed from year to year.
  • And the ones which I just described
  • are some of the ones which are undergoing continuous study.
  • Okay.
  • - Mathematics is both the
  • most esoteric of the sciences
  • and at the same time, one of the purest of the arts.
  • It is an exciting and interesting place to be.
  • In mathematics we cannot teach
  • the joy of living,
  • or the interest, or the...
  • sense of adventure that one experiences.
  • All we can do is teach the substantive part of it
  • and try to give some idea of our own pleasure
  • in studying the subject.
  • It has its applications, but most mathematicians
  • don't really think about the applications.
  • It is at once a systematic
  • and also a notational device.
  • It's notational in the sense that
  • with very small number of notation,
  • we try to describe a large number of different things.
  • It simplifies these ideas in that way.
  • It's systematic in that we try to...
  • take from some particular set of phenomena
  • the essence of that phenomena and build a system
  • that is strictly logical about it.
  • In that way, it is possible
  • to apply the purest of logic
  • to a system and to remove from the system
  • the extraneous things that simply clutter up the mind.
  • At Tulane, we've built over the last 20 years
  • one of the finest mathematics departments
  • in the South and indeed in the country.
  • In three areas of mathematics we have the top men
  • in the world, and in those three areas, the three definitive
  • books have been written by Tulane faculty members.
  • The PhDs that have been produced at Tulane have in a recent
  • study been the first in the nation in productivity.
  • We have turned out undergraduates at the very,
  • the very best universities in the country
  • to continue their work.
  • At Tulane, we produce good mathematics
  • and good mathematicians, and that's what we we’re after.
  • Does that figure?
  • Okay.
  • [chuckles]
  • [silence]
  • - When we talk about American philosophy,
  • we can mean two things.
  • First, we may mean the public philosophy.
  • That is the philosophy of our civilization.
  • In that case,
  • our philosophy is mostly derived
  • from the European Enlightenment, and we have in mind thinkers
  • like Locke, Rousseau, Hume, and others.
  • On the other hand, we may mean by
  • American philosophy what the philosophers do,
  • what the American philosophers do.
  • Then we find that we don't have any sort
  • of official philosophy.
  • Rather, the scene is very pluralistic.
  • There are many different types
  • of philosophy, many different trends in American philosophy.
  • Probably the most dominant trend
  • at present is analytic philosophy.
  • On the other hand, we have rising and now widely
  • accepted as quite respectable speculative metaphysics.
  • And I might add in this connection
  • that we have one of the most prominent
  • speculative metaphysicians in the United States
  • and perhaps in the Western world on our own campus,
  • I mean, Professor James Feibleman.
  • At the same time, we can observe the rise
  • of interest in this country, in the European movements
  • of phenomenology and existentialism.
  • And in that connection
  • I might also add that we have a very fine representative
  • of these new and recent trends in philosophy
  • in the person of Professor Edward Ballard.
  • Now, as for the future of American philosophy,
  • it is pretty difficult to discern.
  • It seems to be moving in the same sort
  • of pluralistic direction in which it moved in the past.
  • However, there is one thing which is quite clear,
  • and that is that American philosophers are becoming
  • increasingly aware
  • that what they are doing must be relevant
  • to social problems and other burning issues of the day.
  • And we can already discern this in the format
  • of the American Philosophical Association program
  • of the past year, where, for example, there were symposia
  • devoted to topics such as violence and other
  • leading issues of that type.
  • [silence]
  • [inaudible]
  • - Hands out of pockets, or hands in pockets, or what?
  • - [Cameraman] Whatever’s comfortable with you.
  • - Um.. all right.
  • The Graduate School of Business Administration
  • has as its primary mission
  • the education of this community
  • and the national community’s business leaders,
  • both for tomorrow and in future decades.
  • We educate MBA students
  • and Ph.D. students
  • who are going to join the ranks of industry
  • and the ranks of leadership in not only the business community,
  • but in organizations like hospitals,
  • institutions like universities, and in government.
  • All of our students already
  • have an undergraduate degree either in liberal arts,
  • or the sciences, or in engineering.
  • A number of our students, but a smaller number,
  • have undergraduate degrees in business.
  • Our purpose is to take these undergraduates
  • who have technical and liberal arts degrees
  • and to give them the
  • professional education in business administration
  • that will enable them to become tomorrow's leaders.
  • The school is very heavily involved in the community.
  • We do not have an ivory tower school.
  • Our faculty generally are drawn from the best universities
  • in the country
  • and many of them have a wealth of practical experience
  • in business before they join us.
  • We have professors who have had much experience
  • in industrial relations and consulting
  • with organizations like Humble Oil.
  • We have professors who have accomplished
  • a great deal of research both in the...
  • practical world as well as the academic world.
  • We draw professors from universities
  • throughout the country.
  • Our professors are involved in the business community.
  • We have a number who are members of professional organizations
  • and community organizations.
  • Our students get out in the community.
  • We use our students as consulting teams
  • to small business organizations, both white and black,
  • so that we can provide
  • the kind of technical assistance for business
  • that a business school like ours ought to provide.
  • We try to encourage our faculty members
  • to do as much consultation, as much work with business
  • as is consistent with their academic objectives.
  • For middle management and top management, we put on a
  • continuing set of executive programs
  • every year designed to keep the educational level
  • of business people in this community
  • up, designed to keep them informed of what the newest
  • techniques and the newest trends in business are.
  • So that involvement with the community
  • is the byword of this school.
  • [Business Professor] Is that about enough?
  • [silence]
  • [background crowd noise]
  • - Go?
  • A lot of changes have taken place
  • in the university in the last ten years,
  • and a lot of them have taken place
  • in my particular department, which is Biology.
  • Biology is no longer what it was ten years ago because
  • many of the critical issues that are facing us people
  • are really biological questions.
  • Questions that didn't used to be asked
  • and questions which will now have to be answered.
  • We're an animal and we're a consumer on this planet,
  • [Biology Professor] and we're not like all the rest.
  • And we are just like all the rest,
  • I think is a better way to say it.
  • [background crowd noise]
  • And...
  • for the first time
  • biology is finding itself, answering the questions:
  • what is man's particular balance point in the environment?
  • Now businessmen can ask of a business, does it show a profit?
  • And this is often an ultimate criteria.
  • And the idea that is now prevalent, one--
  • [film reel distorts, audio cuts out]
  • The university is not what it was ten years ago.
  • And this is certainly true of the Biology department.
  • Biology recently has found itself
  • in the forefront and answering
  • some of the questions that face the human...
  • human population.
  • We are...
  • in essence a department, or an area, or a skill
  • directly germane to the most critical problem
  • now being realized by people on this earth.
  • Just how far
  • can we exploit our environment without fouling our nest?
  • In business, the question
  • that is always asked is,
  • is there a profit?
  • And this is answered by the short-term profit,
  • the middle-term profit, and the long-term profit.
  • Because of our increased exploitation of our environment,
  • we are now going to have to answer the question,
  • what is the environmental impact of our actions
  • on the short-range,
  • on the middle-range, and on the long-range?
  • And my department has several members
  • that are working in just this particular area
  • and deciphering and
  • [Biology Professor] establishing the balance points.
  • - I burnt a candle for a poem,
  • and killed my grandmother to write a novel,
  • all on stage.
  • [inaudible]
  • [silence]
  • - All right, one of the questions that
  • my students sometimes ask is, why does a man write poetry?
  • Well, one of the sophomoric inanities is that...
  • a poet is called up into some sort of cosmic communion,
  • which gives him a privileged information about the patterns
  • and vibrations of the universe, and that out of that
  • special privilege he's able to teach us.
  • Well, that's not, I think, why a poet writes a poem.
  • He writes it because he's a performer,
  • and it is out of that performance
  • that our interest in poetry develops.
  • We like to see words in play because we think
  • that the craft of words well-managed give pleasure...
  • pleasure in the experience of language.
  • Okay, you want to stop?
  • [chuckles] I'm through now.
  • - [Cameraman] Yeah.
  • - We've had theatre at Tulane since 1937.
  • People here who teach theatre, tend to think of it as more
  • than just one of the performance arts,
  • particularly in our undergraduate
  • and in our graduate programs as well.
  • We teach theatre as a means of communication between people.
  • I don't need to say I think that
  • communication is one of the things that's been talked
  • most about lately, the art of communicating.
  • And we feel that in theatre, in addition to being one
  • of the most inclusive of the performing arts
  • including many of the other arts, such as music,
  • art, dance, and the others, that we are teaching people
  • to communicate with each other, to express themselves,
  • to get a meaning from the inside of one person's mind, into the
  • inside of another person's mind.
  • And this is our--
  • we think our main contribution in teaching theatre here.
  • We have an undergraduate degree in theatre, a major with a BA.
  • We also give two advanced degrees, graduate degrees,
  • a master's degree, MA, and a
  • Master of Fine Arts degree, which is a much more practical,
  • perhaps less theoretic or less academic degree
  • since we are one of the performing arts.
  • Theatre at Tulane occupies a position as
  • one of the fine arts, although there's no formal
  • designation of the performing arts
  • here at Tulane, along with music and with art.
  • We have two well-equipped, although small theatres
  • in which we put on four major plays,
  • four major productions open to the public each year.
  • This is only a small part of the
  • performance aspect of our department.
  • We have as well countless one act,
  • studio productions, many other things that we are allowing
  • and helping our students to learn through doing
  • rather than just sitting in a classroom and listening.
  • So that we think that theatre
  • on the Tulane campus plays a very important part
  • in the general education, as well
  • as the specific education of the theatre performer.
  • - [making trumpet sounds]
  • - The first thing to understand
  • about the music department at Newcomb College is that it's
  • within the framework of a liberal arts college.
  • This makes us quite different in purpose
  • from a professional school of music.
  • A professional school of music is in business to prepare
  • professional musicians,
  • whereas a department such as ours is to provide
  • a musical background for people, whether they're going to be
  • professional musicians, that is, as teachers, or simply
  • that they are going to have music
  • as an important part of their life
  • as they would have if they were majoring in English literature,
  • French literature, or any of the other cultural areas.
  • We do provide instruction in all of the
  • different fields of music, that is in performance,
  • in the history of music,
  • and also in the theory of music.
  • And all of our students take courses in each of these areas
  • because they're actually related.
  • If a person is going to play a composition, say,
  • by Beethoven, it's important to know something about
  • when this piece was written.
  • This is what he learns in the history of music,
  • what the general characteristics of the period are.
  • It's also important to know that he understands
  • how the piece is put together, and this is what he will
  • learn in the theoretical parts of his curriculum here.
  • This doesn't mean that students who major in music at Newcomb
  • or Tulane cannot become professional musicians.
  • But it means that they're going to have to have additional,
  • more intensive study, probably in performance
  • once they graduate from here.
  • We're convinced, on the other hand, that this is a very--
  • the kind of background that we give
  • is important and indeed essential
  • for the making of a complete musician.
  • An important part of our work,
  • of course, is for the non-specialist.
  • We have many courses for the student who’s taking
  • [Music Professor] only one course in music.
  • [background crowd noise]
  • - Oh.
  • [inaudible]
  • - The Art school in the university is one of the newer
  • phenomenas in education especially in higher education.
  • And our department is trying to provide the place
  • for creative research in the visual arts,
  • as well as time to study the history of art
  • and mankind's accomplishments through the ages.
  • And this feeds back into what
  • the studio people do when they know the past.
  • It helps them to anticipate the future.
  • Our department has been going
  • since Newcomb was founded, practically.
  • And is world famous for its activities
  • in the period of Art Nouveau, the turn of the century,
  • when Newcomb pots were made and sold from the school along
  • with other such activities.
  • At the present time,
  • we are beginning to work in the directions of the
  • most experimental kinds of art which people are doing around
  • the country.
  • In the sense that this is so new,
  • it's also very hard for people to understand,
  • but it is part of the visual education.
  • [background voices]
  • - This is my second year
  • as Dean of the Law School.
  • And of necessity,
  • I am-- I have a view of the school
  • which is key to what I hope to accomplish with it.
  • The heart of the Law School as of any other
  • type of school is what it teaches
  • and the people who do the teaching.
  • With respect to the first, that is the curriculum,
  • we have made what I would consider to be
  • a lot of progress during the last two years.
  • Of course, one must
  • teach certain basic type of courses such as those
  • which are peculiar to the law of Louisiana,
  • and in the-- on the common law side,
  • certain type of courses without which
  • a lawyer cannot practice.
  • Over the years, however,
  • these courses have been changed.
  • Some have been taken out of the curriculum.
  • Some have been added to it.
  • And these changes were not always the most rational type.
  • So for the last year or so, the faculty has been engaged
  • in reorganizing these courses
  • in a sequence which would be irrational,
  • and to the end of providing a more systematic
  • education for the student.
  • A second undertaking in this area
  • has been to create [inaudible] the--
  • or in the third year rather,
  • courses representing a high degree of specialization.
  • This is so, for example,
  • with respect to courses in property
  • and courses in taxation.
  • In addition,
  • the third year is being oriented more and more
  • to courses which might be called cultural in nature.
  • That is, courses in which the purpose is
  • not just to provide a law student
  • with instruction about rules of law
  • or kinds of law which it needs for practice,
  • but courses intended to give them some sense
  • of perspective about the law.
  • In this category, I would include
  • not only courses in jurisprudence
  • and legal history, but also courses
  • which deal with the failure of the law properly
  • to deal with some contemporary issues.
  • In this respect,
  • our law insofar as it concerns
  • urban environment, insofar as it concerns pollution,
  • and related type of issues,
  • are cultural courses necessary to create a fine perspective--
  • a perspective, rather, for the student.
  • Finally, both in the first year of Law School
  • and in the last year
  • we are attempted to-- we are attempting
  • to make what Tulane always has
  • claimed to be and has not always succeeded in doing.
  • And that is to be a law school devoted to comparative law,
  • that is, with the systematic and correlated study
  • of both the common law and the civil law of Louisiana.
  • These are the essential directions of the school
  • with respect to its curriculum.
  • To bring about these changes
  • we have had to bring some new teachers.
  • It is my conviction that the new members
  • of the faculty have added considerable strength
  • to its already fine qualifications
  • and that the Law School is going to be better in the years
  • to come than it has ever been before.
  • [inaudible]
  • [silence]
  • [inaudible]
  • [silence]
  • - Y’all drop...
  • on by.
  • Y’all drop...
  • on by.