Fortification and Its Discontents from Shakespeare to Milton: Trouble in the Walled City (Video)

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  • Hey there, my name is Adam McKeown and I am  an Associate Professor of English at Tulane  
  • and I am trying to make a video  today to talk about my new book,  
  • Fortification and Its Discontents from Shakespeare  to Milton. Now I've tried to make this video about  
  • 17 times and each time it comes out so boring that  I can barely even listen to it myself. So I decided I  
  • would just do it out here in my makeshift outdoor  teaching area, which is my sort of medieval camp  
  • and just talk about why I wrote it. So the first  question I was asked to address was: How I got this  
  • idea? Well I got this idea because I love the  Renaissance. I love the 14th, 15th, 16th, and 17th  
  • centuries and everything about them. You can tell  I've got my Fire and Blood Targaryen shirt on  
  • even and I didn't even plan it that way. I  love going to old cities in Europe and the  
  • Americas and just looking at them and I became  fascinated with these new fortifications that  
  • were being built in the age of fire weapons.  At the time when the medieval city walls were  
  • supposedly being torn down to make way for  modern cities, they started indeed building  
  • bigger, more monstrous, more expensive walls than  ever before. And I thought, wow, these things were  
  • changing everything about the renaissance.  How did they affect the literature? I bet  
  • if I looked hard enough I will find out  how, and Fortification and Its Discontents  
  • from Shakespeare to Milton is the result. The  next question is: What were the challenges?  
  • The challenges, as in everything else in life,  the hardest thing is also the thing that makes  
  • it possible. No one else is working in this field.  There aren't any literary scholars who can talk  
  • much about fortifications of the renaissance  or really military culture is beyond the basics.  
  • There's me and a handful of other folks are doing  it and so I was writing this largely without being  
  • able to consult with other smart people, preferably  smarter people, you know. So it's exciting  
  • to be out there at the forefront of knowledge,  but it's also lonely and that was a challenge.  
  • Next question is: What influence  do you think it will have? Well,  
  • now that is a good question. Literary scholarship  tends to make a splash over the long haul.  
  • The first book I wrote on soldier poets in the  age of Shakespeare, Elizabethan soldier poets.  
  • So the real title is English Mercuries if you want  to see if it's available at your local bookstore.  
  • At first it made absolutely no impression  on anyone except for a few reviewers, one of whom  
  • thought it would be cool to make fun of my picture.  So it was actually not very influential, in fact  
  • it was the opposite of that in the first couple  years. Within 10 years however, two other scholars  
  • wrote books on soldier poets in renaissance  France and renaissance Spain, and they directly  
  • cited my book as its influence. So that book  started a conversation about soldier poets  
  • and there had been no conversation about soldier  poets before. So I would say that that book was  
  • extremely influential even though at first  it didn't seem so. Fortification and Its  
  • Discontents from Shakespeare to Milton is going  to be more influential, I suspect, because the fact  
  • is if you like the Renaissance and you like  visiting cities that were built in the 16th  
  • and 17th centuries you're going to notice these  extraordinarily elaborate fortification systems  
  • that they had to tear down suburbs to build,  that took all the resources of kings to build.  
  • You're going to ask yourself: What are these things?  Why did they build them? How did this affect  
  • people's lives? If you ask questions like that  and go to the library you will find this book,  
  • which does not answer all those questions but it  begins to frame the questions that will help you  
  • ask even smarter questions, and that's how  knowledge gets built. So I suspect this book will  
  • be extremely influential over the long haul.  What is next for me after this one? Well, every book  
  • you write builds on the one before. So this book is  built on what was left over from English Mercuries.  
  • I left a lot out of this book because I wanted  to get it out there and I also don't like reading  
  • particularly long books. So in this book I decided  to not talk about the effort to rebuild Hadrian's  
  • Wall, which is the wall between England and  Scotland in 1587, which is a wacky idea but they  
  • they thought it was a good idea. And the reason why  I decided to leave it out is that it  
  • seemed to me more appropriate as  the beginning of a larger book  
  • on waning sovereignty in early modern England.  The claim of which is essentially that...
  • smart people like Shakespeare and  Spencer recognized that the world  
  • they lived in was getting too big and  too complicated for kings to manage.  
  • And they could not think of an alternative,  and so they were a little scared.  
  • I'll let you know how it goes. Maybe it'll be  out in 10 years. And the last question is: If I  
  • could sum up Fortification and Its Discontents  in one sentence, what would that sentence be?
  • That's always a tricky question but I  will do my best shooting from the hip.
  • It is about a time when people in Europe  and the Americas, European colonies in the  
  • Americas, were being asked to sacrifice just  about everything in the interest of building  
  • safer cities. Cities that could resist high-powered  armies carrying high-powered fire weapons.  
  • They were asked to sacrifice  everything and change everything.  
  • And smart people like Shakespeare, and Spencer,  and Winthrop, Champlain were asking themselves:  
  • Is this really necessary? What do we lose in the  process? The book examines the literature of  
  • the period to try to answer those questions.  Now, hopefully I've been able to talk about  
  • Fortification and Its Discontents from  Shakespeare to Milton in a way that makes you  
  • want to rush out to the bookstore and buy the  remaining 20 copies available, if you're lucky.  
  • No, I'm joking. You can get it at Amazon, no doubt.  But anyway, I hope you enjoyed the book. It was  
  • fun writing. It is fun creating knowledge. It is  lonely creating knowledge. And so it is always a  
  • great time to be able to talk about your work with  interested people like you. Thank you very much.
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